Enviar artigo via e-mail Resenha crítica do livro Music, Analysis, Experience: New Perspectives in Musical Semiotics
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Este texto apresenta uma resenha crítica do livro Music, Analysis, Experience: New Perspectives in Musical Semiotics, editado por Constantino Maeder e Mark Reybrouk e publicado em 2015. Tal livro traz uma coletânea de artigos que abordam a análise e o entendimento do fenômeno musical através do viés da semiótica, indo além da análise puramente do texto, e buscando fora dele elementos essenciais para a construção do significado musical. Através deste panorama é possível avaliar os novos caminhos e possibilidades metodológicas no campo da Análise Musical, bem como promover a reflexão crítica sobre esses caminhos.
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CASTRO, Paulo F. de. La musique au sécond degré: On Gérard Genette’s Theory of Transtextuality and its Musical Relevance. In: MAEDER, Constantino; REYBROUCK, Mark (Ed.). Music, Analysis, Semiotics: New Perspectives in Musical Semiotics. Leuven: Leuven University Press, 2015. p. 83-96.
CHAGAS, Paulo C. Musical Understanding: Wittgenstein, Ethics, and Aesthetics. In: MAEDER, Constantino; REYBROUCK, Mark (Ed.). Music, Analysis, Semiotics: New Perspectives in Musical Semiotics. Leuven: Leuven University Press, 2015. p. 115-134.
CHUEKE, Zelia; CHUEKE, Isaac. Capturing the Music: The Thin Line Between Mediation and Interference. In: MAEDER, Constantino; REYBROUCK, Mark (Ed.). Music, Analysis, Semiotics: New Perspectives in Musical Semiotics. Leuven: Leuven University Press, 2015. p. 31-42.
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MARINO, Gabriele. What Kind of Genre do You Think We Are? Genre Theories, Genre Names and Classes within Music Intermedial Ecology. In: MAEDER, Constantino; REYBROUCK, Mark (Ed.). Music, Analysis, Semiotics: New Perspectives in Musical Semiotics. Leuven: Leuven University Press, 2015. p. 239-254.
MARTINELLI, Dario. Authorship, Narrativity and Ideology: The case of Lennon-McCartney. In: MAEDER, Constantino; REYBROUCK, Mark (Ed.). Music, Analysis, Semiotics: New Perspectives in Musical Semiotics. Leuven: Leuven University Press, 2015. p. 277-300.
MARTY, Nicolas. Semiotic Narrativization Processes. In: MAEDER, Constantino; REYBROUCK, Mark (Ed.). Music, Analysis, Semiotics: New Perspectives in Musical Semiotics. Leuven: Leuven University Press, 2015. p. 97-114.
NELLESTIJN, Maarten. The Death of Klinghoffer: From Stage to Screen. In: MAEDER, Constantino; REYBROUCK, Mark (Ed.). Music, Analysis, Semiotics: New Perspectives in Musical Semiotics. Leuven: Leuven University Press, 2015. p. 211-224.
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PAWLOWSKA, Malgorzata. A Story or Not a Story? Pascal Dusapin’s Opera Romeo & Juliette and New Ways of Musical Narratives. In: MAEDER, Constantino; REYBROUCK, Mark (Ed.). Music, Analysis, Semiotics: New Perspectives in Musical Semiotics. Leuven: Leuven University Press, 2015. p. 257-276.
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PODLIPNIAK, Piotr. The Ability of Tonality Recognition as One of Human-Specific Adaptations. In: MAEDER, Constantino; REYBROUCK, Mark (Ed.). Music, Analysis, Semiotics: New Perspectives in Musical Semiotics. Leuven: Leuven University Press, 2015. p. 151-166.
THUMPSTON, Rebecca. The embodiement of Yearning: Towards a Tripartite Theory of Musical Agency. In: MAEDER, Constantino; REYBROUCK, Mark (Ed.). Music, Analysis, Semiotics: New Perspectives in Musical Semiotics. Leuven: Leuven University Press, 2015. p. 331-348.
TOMASZEWSKI, Mieczyslaw. Reading a Work of Music from the Perspective of Integral Interpretation. In: MAEDER, Constantino; REYBROUCK, Mark (Ed.). Music, Analysis, Semiotics: New Perspectives in Musical Semiotics. Leuven: Leuven University Press, 2015. p. 61-82.
WIEROD, Lea Maria Lucas. Where to Draw the Line? Representation in Intermedial Song Analysis. In: MAEDER, Constantino; REYBROUCK, Mark (Ed.). Music, Analysis, Semiotics: New Perspectives in Musical Semiotics. Leuven: Leuven University Press, 2015. p. 135-148.
ZIBROWSKI, Lawrence M. Musical Semiotics and Analogical Reference. In: MAEDER, Constantino; REYBROUCK, Mark (Ed.). Music, Analysis, Semiotics: New Perspectives in Musical Semiotics. Leuven: Leuven University Press, 2015. p. 167-184.
DOI: http://dx.doi.org/10.20504/opus2016b2222
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Direitos autorais 2016 Bibiana Bragagnolo
Esta obra está licenciada sob uma licença Creative Commons Atribuição 4.0 Internacional.
ISSN 0103-7412 (versão impressa, 1989-2008), ISSN 1517-7017 (versão online, 2009- )