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31  Articles
1 of 4 pages  |  10  records  |  more records»
From the perspective of modern cognitive science the conceptual metaphor reflects the mental aspect of cognition and creation of a new conception of the world. Therefore, numerous researchers in the area of conceptual metaphor explored it as the understan... see more

From the perspective of modern cognitive science the conceptual metaphor reflects the mental aspect of cognition and creation of a new conception of the world. Therefore, numerous researchers in the area of conceptual metaphor explored it as the understan... see more

From the perspective of modern cognitive science the conceptual metaphor reflects the mental aspect of cognition and creation of a new conception of the world. Therefore, numerous researchers in the area of conceptual metaphor explored it as the understan... see more

The main objective of my article is to investigate the ways in which contemporary Anglophone drama and theatre actively employ diegetic and narrative forms, setting them in conflict with the mimetic action. The mode of telling seems to be at odds with the... see more

O artigo discute a metanarrativa como recurso estruturador da narrativa fílmica mediante o estabelecimento de níveis diegéticos autorreferentes e articulados entre si. Dessa maneira, a narrativa fílmica objetiva estabelecer a ideia de cumplicidade e de id... see more

The collective consciousness of a community is tremendously shaped by myths and folktales passed on from generation to generation. With the publication of Joseph Campbell's book The Hero with a Thousand Faces, the idea of the hero and his journey took a g... see more

The figure of the double (FREUD, 1955) is recurrent in investigative stories, as the very core of these works is the opposition between detective and criminal. We can read the criminal as the double of the detective in the classic detective genre; their m... see more

O artigo discute a metanarrativa como recurso estruturador da narrativa fílmica mediante o estabelecimento de níveis diegéticos autorreferentes e articulados entre si. Dessa maneira, a narrativa fílmica objetiva estabelecer a ideia de cumplicidade e de id... see more

Toma-se a peça Tarsila (2003) como um texto em que a impossibilidade de formalização do assunto, na forma tradicional do drama, é solucionada pelo recurso ao épico-narrativo, marcando a tensão interna entre o eixo da representação/mimesis e o da narração/... see more

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