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30  Articles
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The article discusses the relationship of tension between fiction and reality in contemporary theater, based on the concept of performative theater and in relation to the philosophy of Vilém Flusser, using examples of recent staging and based on the analy... see more

Friedrich von Schelling was a significant cultural influence when Henrik Ibsen lived in Germany in the 1850s. However, because of Schelling’s Naturphilosophie, which stood out as irreconcilable with the scientific philosophy of the positivists, Schelling ... see more

This article illustrates the changing shapes of knowledge in Spain in the period spanning from the Baroque (ca. 1600–1680) to the pre-Enlightenment (ca. 1730). Scepticism and the dichotomies engaño – desengaño (illusion – disillusion) and ser – parecer (r... see more

This research is a study of the dualism and introversion of personality in the Iraqi theater text. The research consists of four chapters. The first chapter deals with the problem of research, which was determined by the following question: How does the d... see more

Riassunto: In questo lavoro intendo confrontare le posizioni di Searle e Dennett nell’ambito della teoria della mente con la teoria husserliana della coscienza. Mostrerò come questi autori modifichino la nozione fenomenologica di intenzionalità, trasforma... see more

Die Lecture-Performance „Unzeitgemäße Betrachtung. Nietzsche et cetera“ wurde bei dem Forschungsfestival Philosophy On Stage#4 am Tanzquartier Wien uraufgeführt, das sich zum Ziel gesetzt hatte, neue Allianzen zwischen Philosophie und den Künsten zu erpro... see more

In Rhapsody for the Theatre, Badiou propped the notion of the ethics of play against a theory of the subject that had yet to be fully deployed. His reflection remains tentative and he simply suggests ‘that the actor could very well show a subject without ... see more

Die Lecture-Performance „Unzeitgemäße Betrachtung. Nietzsche et cetera“ wurde bei dem Forschungsfestival Philosophy On Stage#4 am Tanzquartier Wien uraufgeführt, das sich zum Ziel gesetzt hatte, neue Allianzen zwischen Philosophie und den Künsten zu erpro... see more

In Rhapsody for the Theatre, Badiou propped the notion of the ethics of play against a theory of the subject that had yet to be fully deployed. His reflection remains tentative and he simply suggests ‘that the actor could very well show a subject without ... see more

1 of 3 pages  |  10  records  |  more records»