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216  Articles
1 of 23 pages  |  10  records  |  more records»
“A child’s hands” was chosen as the cover image for a monograph by photographer Aenne Biermann (1898–1933), published in Weimar Germany (1930) as part of a small series of paperback publications edited by Franz Roh and Jan Tschichold. Volume 1 of the same... see more

La traducción de sí, una expresión intrínsecamente ambivalente, lejos de ser un tema reservado a la expertise de unos pocos iniciados, es un concepto que debido a su posición de bisagra tiene un considerable rendimiento para la discusión filosófica, liter... see more

BING, Gertrud. A. M. Warburg. Journal of the Warburg and Courtauld Institutes, v. 28, p. 299–313, 1965.BURCKHARDT, Jacob. Beiträge zur Kunstgeschichte von Italien: das Altarbild, das Porträt in der Malerei, die Sammler. Basel: C. F. Lendorff, 1898.BURCKHARDT, Jacob. The civilization of the Renaissance in Italy. London: Penguin, 2004 [1860].CADOGAN, Jean K. Domenico Ghirlandaio: artist and artisan. New Haven, London: Yale University, 2000.DIDI-HUBERMAN, Georg. A imagem sobrevivente: história da arte e tempo dos fantasmas segundo Aby Warburg. Rio de Janeiro: Contraponto, 2013 [2002].DIERS, Michael. Warburg aus Briefen: Kommentare zu den Kopierbüchern der Jahre 1905–1918. Weinheim: Acta Humaniora, 1991.DROMMERT, René. Aby Warburg und die Kulturwissenschaftliche Bibliothek in der Heilwigstraße. In: GALITZ, Robert; REIMERS, Brita (Orgs.). Aby Warburg: »Ekstatische Nymphe... trauernder Flußgott« Portrait eines Gelehrten. Hamburg: Dölling und Galitz, 1995, p. 14–18.FERNANDES, Cássio. O lugar de o retrato na pintura italiana do Renascimento na obra de Jacob Burckhardt.In: BURCKHARDT, Jacob. O retrato na pintura italiana do Renascimento. Campinas, São Paulo: Unicamp, Fap- Unifesp, 2012, p. 21–47.FORSTER, Kurt. Introduction. In: WARBURG, Aby. The renewal of pagan Antiquity: contributions to the cultural history of the European Renaissance. Los Angeles: Getty Research Institute, 1999, p. 1–75.GASPARY, Adolf. Geschichte der italienischen Literatur. Strassburg: K. J. Trübner, 1885.GRIMM, Herman. Sandro Botticelli, Geburt der Venus und Frühling. Deutsche Literaturzeitung, v. 14, p. 690–692, 1893.GOMBRICH, E. H. Aby Warburg: an intellectual biography. 2a ed. Chicago: The University of Chicago, 1986 [1970].HEYCK, Eduard. Die Mediceer. Bielefeld, Leipzig: Velhagen & Klasing, 1897.JANITSCHEK, Hubert. Die Gesellschaft der Renaissance in Italien und die Kunst: vier Vorträge. Stuttgart: W. Spemann, 1879.JANITSCHEK, Hubert. L.B.Alberti‘skleinerekunsttheoretische Schriften. Wien: W. Braumüller, 1877.KAEGI, Werner. Das Werk Aby Warburgs: mit einem unveröffentlichten Brief Jacob Burckhardts. Neue Schweizer Rundschau, v. 1, n. 5, p. 283–293, 1933.LADWIG, Perdita. Das Renaissancebild deutscher Historiker 1898–1933. Frankfurt am Main: Campus, 2004.LADWIG, Perdita; TREML, Martin; WEIGEL, Sigrid. Die Nymphe und pagane Totenklage: Die Renaissance als Übergangszeitalter. Vorbemerkung der Herausgeber. In: Aby Warburg: Werke in einem Band. Berlin: Suhrkamp, 2010, p. 187–197.LEVINE, Emily J. Dreamland of humanists: Warburg, Cassirer, Panofsky, and the Hamburg School. Chicago, London: The University of Chicago, 2013.MCEWAN, Dorothea. Wanderstrassen der Kultur: die Aby Warburg – Fritz Saxl Korrespondenz 1920 bis 1929. Hamburg, München: Dölling und Galitz, 2004.PRANGE, Regine. Die Geburt der Kunstgeschichte: Philosophische Ästhetik und empirische Wissenschaft. Köln: Deubner, 2004.ROECK, Bernd. Der junge Aby Warburg. München: C. H. Beck, 1997.RÖSCH, Perdita. Aby Warburg. Paderborn: Wilhelm Fink, 2010.SAXL, Fritz. The history of Warburg’s library (1886–1944). In: GOMBRICH, E. H. Aby Warburg: an intellectual biography. 2a ed. Chicago: The University of Chicago, 1986, p. 325–338 [1970].SLOVIN, Francesca Cernia. Obsessed by art – Aby Warburg: his life and his legacy. [S.l.]: Xlibris, 2006 [1995].SPRINGER, Anton. Bilder aus der neueren Kunstgeschichte. Bonn: Adolph Marcus, 1886 [1867]. 2 vol.THODE, Henry. Franz von Assisi und die Anfänge der Kunst der Renaissance in Italien. Essen: Emil Vollmer, 1998 [1885].WARBURG, Aby. Conferencia sobre Rembrandt. In: WARBURG, Aby. Atlas Mnemosyne. Madrid: Akal, 2010 [1926], p. 173–178.WARBURG, Aby. Der Eintritt des antikisierenden Idealstils in die Malerei der Frührenaissance. In: WARBURG, Aby. Werke in einem Band. Berlin: Suhrkamp, 2010 [1914], p. 281–310.WARBURG, Aby. Flemish and Florentine art in Lorenzo de’ Medici’s circle around 1480. In: WARBURG, Aby. The renewal of pagan antiquity: contributions to the cultural history of the European Renaissance. Los Angeles: Getty Research Institute, 1999 [1901a], p. 305–307.WARBURG, Aby. Flemish art and the Florentine early Renaissance. In: WARBURG, Aby. The renewal of pagan antiquity: contributions to the cultural history of the European Renaissance. Los Angeles: Getty Research Institute, 1999 [1902a], p. 281–303.WARBURG, Aby. FlorentinischeWirklichkeitundantikisirender Idealismus. In: WARBURG, Aby. Werke in einem Band. Berlin: Suhrkamp, 2010 [1901b], p. 211–233.WARBURG, Aby. Francesco Sassetti’s last injunctions to his sons. In: WARBURG, Aby. The renewal of pagan antiquity: contributions to the cultural history of the European Renaissance. Los Angeles: Getty Research Institute, 1999 [1907], p. 223–262.WARBURG, Aby. Sandro Botticelli’s Birth of Venus and Spring. In: WARBURG, Aby. The renewal of pagan antiquity: contributions to the cultural history of the European Renaissance. Los Angeles: Getty Research Institute, 1999 [1893], p. 89–156.WARBURG, Aby. The art of portraiture and the Florentine bourgeoisie. In: WARBURG, Aby. The renewal of pagan antiquity: contributions to the cultural history of the European Renaissance. Los Angeles: Getty Research Institute, 1999 [1902b], p. 185–221.WARBURG, Aby. Vom Arsenal zum Laboratorium. In: WARBURG, Aby. Werke in einem Band. Berlin: Suhrkamp, 2010 [1927], p. 683–694.
A obra de Aby Warburg (1866–1929), dedicada, sobretudo, ao grande tema da sobrevivência da tradição clássica no Renascimento europeu, vem ganhando notoriedade nas últimas décadas, inclusive no Brasil. Este artigo busca uma imersão na obra desse historiado... see more

“  O mundo já está cheio de objetos, mais ou menos interessantes; não me interessa adicionar nada mais a esta realidade; prefiro simplesmente declarar a existência das coisas em termos de tempo e lugar”. Esta afirmação do artista conceitual Doug... see more

An increased interest in space in the humanities can be referred to as a spatial, topographic or topological shift. This article is an attempt at organizing these concepts and defining the fundamental differences between them. Based on the findings of Eur... see more

Chi Weigela, thu?c h? Kim ngân (Caprifoliaceae) có vùng phân b? r?ng trên th? gi?i, v?i hon 200 loài dã du?c lai t?o ph?c v? cho m?c dích làm c?nh và dùng làm thu?c. W. florida “Jean’s Gold” là loài cây d?ng b?i, du?c tr?ng làm c?nh t?i châu Âu do có màu ... see more

At the end of Sigrid Undset’s medieval trilogy Kristin Lavransdatter (1920–1922), the heroine encounters the bubonic plague that so violently hit Europe in the mid-fourteenth century. The aim of this paper is to explore the connections between the 20th ce... see more

W. florida “Pink Poppet” là m?t loài cây b?i, có vùng phân b? r?ng ? châu Âu và trên th? gi?i và du?c tr?ng v?i m?c dích làm c?nh. Loài th?c v?t này thu?c chi Weigela, h? Kim ngân (Caprifoliaceae) v?n du?c bi?t d?n là ngu?n cung c?p các h?p ch?t saponin c... see more

1 of 23 pages  |  10  records  |  more records»