Home  /  Images  /  Vol: 14 Núm: 23 Par: 0 (2014)  /  Article
ARTICLE
TITLE

The film script as an inspiration

SUMMARY

Screenplay is a multifunctional project written by screenwriter or screenwriters for preparing next phases of film production. Changing and many times transformed forms of screenplay belong to the nature of screenwriting. Literary vision of film changes several times being result of synergy and typical work in progress: from general idea and high concept, through story, treatment, scalette, first draft and certain number of drafts, to final draft, director’s draft and shooting script. Marek Hendrykowski’s study describes and explains these terms as forms of literary film creation in three complementary aspects: creative re-vision, rewriting and remodeling.

 Articles related

Pavel Skopal    

After four co-productions which the East German and Czech studios made from 1957 to 1965, a five-year hiatus in DEFA-Barrandov co-productions took place. During the Czechoslovak New Wave era, the Czech filmmakers gave DEFA the cold shoulder. But the proc... see more

Revista: Images

Ewa Sobolewska,Jan Zamojski    

The article relates to the studio both as an institution which has operated for three decades in different economic systems and various legal and organisations forms and as a creative team that has made films. The authors are: Ewa Sobolewska, a film prod... see more

Revista: Images

Angelina Russo    

The design of scenography, staging, lighting and objects for representation and presentation within the film genre forms one of the most seductive areas in the practice of interior design.?The merging of space and movement within this medium provide cont... see more

Revista: Idea Journal

Inga Perkone    

"The creative work of the Latvian film director, producer, and scriptwriter Laila Pakalnin¸a (born 1962)...can be organically linked with the phenomenon of Anna La¯cis and her wider context.... Anna La¯cis led a life that was unconventional for a woman, ... see more


Luka Bešlagic    

This paper analyses the experimental film Sonne halt! by Ferry Radax, an Austrian filmmaker renowned for his unconventional approach to cinematic practice. Filmed and edited between the end of the 1950s and early 1960s, the film at first may appear to be... see more

Revista: AM: Art + Media